Music Ivor Novello

Book & Lyrics Michael Williams

Arrangement and Additional Composition Iain Farrington

Premiere 7 July 2023, Buxton Opera House

Commissioned by the Buxton International Festival

Co-presented by Norwich Theatre Royal 

' A class act ...'

Included with kind permission from the Buxton International Festival and Norwich Theatre Royal

Background

Baroness Shirley Williams, a Vice-President and long-standing supporter of the Buxton International Festival, suggested to Michael Williams (no relation) that he had to do ‘something musical’ on the life of her mother, Vera Brittain. When Michael discovered that Ivor Novello’s music was in the public domain, and that Novello shared a birthday with Vera Brittain on January 15, 1893, the creative synergy became clear. By pairing Novello’s iconic songs with Vera’s narrative, he could create a work where the era’s most famous composer provided the musical soul for its most important memoir.

Vera Brittain

Vera Brittain was a nurse, writer, feminist, socialist, and pacifist who, along with her brother Edward, was raised in an upper middle-class household in Buxton. When the First World War erupted, Vera raged against the injustice of the conflict; fuelled by a sense of powerlessness, she volunteered as a nurse. The war ultimately claimed her fiancé, her brother, and two of her closest friends. In response, she penned her bestselling memoir, Testament of Youth, a cry of outrage and agony intended to ensure the futility of their deaths would never be forgotten.

The Music

Ivor Novello’s songs were among the biggest hits of their day, and his musicals were a massive success across the UK. While the shows themselves have almost completely disappeared from the modern stage, many of the songs remain a staple of the English popular song canon. True to the style of the era, the original songs were often richly orchestrated with swooping strings, sentimental sighing phrases, and lush harmonies.

In these new arrangements, Novello’s songs speak freshly and directly to modern ears. For this production, the music has been arranged for a small orchestra with a sound that accommodates both Classical intimacy and the brightness of early jazz. They have also been adapted to suit contemporary musical theatre voices as well as opera singers. Novello’s musical genius has been preserved, but given a vibrant new life within this remarkable and touching story.

Iain Farrington Composer/Arranger

Cast

Vera Brittain (Soprano)

Roland Leighton (Baritone)

Edward Brittain (Tenor)

Bobbie Jones (Baritone)

Arthur Brittain (Bass)

Edith Brittain (Mezzo)

Full Orchestra

14 musicians

1,1,1,1

1,1,1,0

1,1,1,2

Perc

Pno

Str 1,1,1,1,1

Ensemble Score

arranged for a 5-piece ensemble

Piano Score

solo piano

Duration

Act I 65 min

Act II 58 min

Why buy a license for this show?

The First Novello Jukebox Musical

Ivor Novello’s hits have been woven into an integrated, through-composed score. His ‘British Operetta’ style provides the perfect bridge for audiences who enjoy the melodic richness of Gilbert & Sullivan or Lehár but want the fast-paced dramatic structure of a modern musical.

Six Leads and a Triple-Threat Ensemble

The narrative features six meaty principal roles. The active ensemble must dance, sing, and act, with numerous opportunities for featured cameo roles throughout.

A Brand New Score

Novello's songs are presented in new arrangements by renowned composer Iain Farrington, capturing the romance, lightness and passion of these songs. With flexible scoring for a 14-piece chamber orchestra, a 5-piece ensemble, or a solo piano, this production is designed to be both musically rich and highly adaptable for venues of any scale.

A Modern-Classic

This repertoire is a rare find for organizations with classically trained singers. The show utilizes the vocal techniques of traditional opera and operetta within a modern musical structure.

The Soundtrack to Vera Brittain’s Life

Based on the memoir Testament of Youth, this production marks the first time Vera Brittain’s story has been brought to the musical stage. Born in the same year, Novello provided the backdrop to a generation while Vera faced the upheaval of the Great War. His music serves as the literal soundtrack to her journey from Buxton debutante to global voice for peace.

Prologue: London, 1944

An older Vera Brittain delivers a scathing speech against the Allied bombing of German cities. Denounced as a traitor by George Orwell, she remembers Roland and reflects on her youth.

Act I: Buxton, 1914

Young Vera reluctantly prepares for a debutante ball. Lady Bradshaw introduces her to a potential 

SYNOPSIS

suitor. Vera's brother Edward arrives with his friend Bobby Jones and introduces Vera to Roland Leighton.

As war looms, the three young men gather in Pavilion Gardens to contemplate the future; Edward privately declares his love for Bobby. While Vera celebrates her acceptance to Oxford, the group enjoys a final picnic in the Goyt Valley. The atmosphere shifts as Vesta Tilley arrives at the Buxton Opera House to recruit for the front. Vera helps convince Arthur to let Edward enlist, and the three men depart for training.

Act II: London, 1914–1915

On New Year’s Eve, Bobby and Edward share a final night together before Bobby leaves for the front. At Charing Cross, Vera bids Roland farewell; he leaves her with a poem and a kiss before departing for France. Later, Vera meets Edward in Oxford for a final goodbye.

The company sings of the precious letters from the front, and Bobby and Edward exchange intimate correspondence. During a brief return, Roland proposes to Vera and she accepts. Months later, Vera receives a telegram regarding Roland’s imminent arrival. Edward writes to Bobby’s parents to inform them of Bobby’s death, while facing a confrontation with his commanding officer over his censored letters to Vera.

Vera waits in vain for Roland to arrive in Brighton, only to learn of his death. As Edward finishes his letter to Bobby's family, he is killed by a sniper while climbing out of a trench.

Epilogue: London, 1944

Vera’s daughter, Shirley, is discovered reading Testament of Youth. Seeing a photograph, she asks about her Uncle Edward. The older Vera looks back, finally at peace with the memories of Edward, Bobby, and her fiancé, Roland.